Editioned prints
Archival pigment prints and hand-pulled gravures, editioned, signed, and shipped rolled or mounted. Every frame in the gallery above is available.
from $120
Ask about a print→Ten years photographing the mouth of the Columbia — the fog, the wrecks, the last working canneries — and pulling the best of it back through the press as hand-inked photogravure editions.
ScrollSelected series
Hover a title to see it. Each series is an essay shot over seasons, not a camera roll.
From the flat files
“I photograph the coast the way you’d listen to a voicemail from someone gone — over and over, for the hiss underneath the words.”
— from the artist statement, Salt & Static
About
Based in Astoria, Oregon, Wren Halloway has spent a decade photographing the Columbia bar and the towns that live off it. The work moves slowly — a series takes seasons, sometimes years — and much of it ends up back in the darkroom as photogravure, printed by hand on a 1912 etching press named Doris.
Prints are held in private collections across the Pacific Northwest, and the documentary series The Last Cannery was shortlisted for the Cascadia Photobook Prize. When not shooting, Wren teaches a small tintype workshop out of the studio each August.
Work with Wren
Archival pigment prints and hand-pulled gravures, editioned, signed, and shipped rolled or mounted. Every frame in the gallery above is available.
from $120
Ask about a print→Portraits, boats, buildings, weddings-that-don’t-feel-like-weddings — shot documentary-style, delivered as a sequenced set, not a dump of files.
from $650
Start a commission→Editorial and commercial licensing across the full archive — ten years of the Columbia’s moods, ready for covers, campaigns, and title sequences.
rates on request
License an image→