WH Photographer & Visual Artist

WREN photographer, printmaker & HALLOWAY keeper of grey light.

Portrait of Wren Halloway in soft window light
Self-portrait, studio window — winter

Ten years photographing the mouth of the Columbia — the fog, the wrecks, the last working canneries — and pulling the best of it back through the press as hand-inked photogravure editions.

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Selected series

An index of
obsessions

Hover a title to see it. Each series is an essay shot over seasons, not a camera roll.

  1. Ghost Tides

    2024Long-exposure seascapes

    Flat, hazy sea dissolving into a pale sky
  2. Breaker Light

    2023Storm swell at dusk

    Amber dusk light caught inside a breaking wave
  3. North of North

    2022Fog, headlands, spruce

    Fog banks stacked over dark forested headlands
  4. Salt & Static

    2021Photogravure editions

    Surf flattened into a pale wash of first light
  5. The Last Cannery

    2019Documentary, ongoing

    Light falling through tall coastal trees near the cannery road

“I photograph the coast the way you’d listen to a voicemail from someone gone — over and over, for the hiss underneath the words.”

— from the artist statement, Salt & Static
Wren's proofing bench — an old camera and a scatter of proof prints over charts
The proofing bench, № 14 Pier Row

About

Wren works where the river gives up and becomes ocean.

Based in Astoria, Oregon, Wren Halloway has spent a decade photographing the Columbia bar and the towns that live off it. The work moves slowly — a series takes seasons, sometimes years — and much of it ends up back in the darkroom as photogravure, printed by hand on a 1912 etching press named Doris.

Prints are held in private collections across the Pacific Northwest, and the documentary series The Last Cannery was shortlisted for the Cascadia Photobook Prize. When not shooting, Wren teaches a small tintype workshop out of the studio each August.

Studio
№ 14 Pier Row, Astoria OR
Press
“Doris,” 1912 — still perfect
Represented by
Driftline Gallery, Astoria
Selected shows
Salt Box Projects, Portland ’24 · Driftline, ’23 · Cannon Beach Arts, ’22

Work with Wren

Three ways in

Editioned prints

Archival pigment prints and hand-pulled gravures, editioned, signed, and shipped rolled or mounted. Every frame in the gallery above is available.

from $120

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Commissions

Portraits, boats, buildings, weddings-that-don’t-feel-like-weddings — shot documentary-style, delivered as a sequenced set, not a dump of files.

from $650

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Licensing

Editorial and commercial licensing across the full archive — ten years of the Columbia’s moods, ready for covers, campaigns, and title sequences.

rates on request

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